Close Ups – Filling the Frame
Wednesday, October 7th, 2009Normally, a photograph is composed of one or more subjects (not necessarily human) in the foreground, and everything else in the background. The subjects and the environment around them are the tools with which the observer will build his assumptions about where the photo was taken, what happened then, and what message it tries to convey, if any. Close-ups, on the other hand, may provide some sort of ambiguity, which will keep any observer guessing.
From a scenic point of view, taking a photograph of a subject filling a small area in your frame may leave you with many empty spaces that if not effectively used, will render your photo boring. In this case, filling the frame with your subject is simple and effective, as this makes it the only center of interest.
Sometimes it is even better to include nothing but your subject. For example, consider this situation in which you are photographing a wild animal at the zoo. The most common composition is one that consists of an animal, a cage, and maybe spectators. Getting rid of all the element except for the animal itself, may make the photograph look as if it was taken in the wild. Another common use of close-ups is to make the observer use his imagination to come up with different stories from a single photograph . A photo of legs of a man and a woman standing in front of each other can tell many things. The focus here is on the action being performed, rather than who is performing it.
Of all types of close-up photographs, portraits are the most famous. Sure you can take a great portrait with your subject in an interesting environment, but you can also get a very nice one too with just focusing on him. A portrait in which your subject fills the whole frame gives some sort of a personalized feeling. Getting even closer to just include the face – sometimes with eye contact – can bring a feeling of amicability, as if you were staying face to face with the subject. Close-ups on other body parts produce great photos too; they may create an abstract feel, or emphasize a certain action.
Even with still life, close-ups work great. Getting close to object show new details that are not obvious when photographing from a distance. This kind of photography is usually used in stock and product photography.
A frame can be filled by walking towards your subject, zooming on it, or by cropping a photograph. Cropping allows you to cut any part you want from any photograph, making it flexible to carefully choose your composition, but you have to know that the image size will be smaller than the original.
As you can see, close-ups open a new door for your creative expression using photography. So use your imagination, and make your audience use theirs.
Get your free eBook and more photography tips at CanvasPrintsOnline.